The commie orgasmatron

a.k.a. back breaking labor:

In an attempt to reduce personal relationships to social functions, Soviet literature has always kept silent on the subject of sex. A family has been considered the primary cell of society, where good workers and citizens are fashioned, or as a factory producing the happy generations of the future. The only sexual motifs to be found in many Soviet classics are those implanted in scenes of labor.

In Boris Gorbatov's novel Donbass, the coal miner Victor Abrosimov descends into the mine in order to experience the piercing enjoyment of drilling:

He got down on his knees before the wall of coal and switched on his hammer. A familiar tremor of joy rolled over his hands and then embraced all his body... His dream came true and the body of coal lay before him submissively as the miner was free to let himself go. The solid wall of untouched black forest moved excitingly close to him, enticing and luring him. Suddenly Viktor Abrosimov felt his muscles fill with daring, previously unknown force, his heart was consumed with bold courage, and he believed that he would be able to do everything, to overcome everything, and to achieve everything this night.

This is why it’s impossible to take seriously the fantasy communism of university students, 23 percent of a certain large European state which should know better, or even actual graduates. It’s forgotten legacy is the emotional enslavement as well as the physical. The truism that there will eventually be nothing left to distribute includes happiness and material comfort.

…when the individual controls his own property, he can dispense it or overcome it, in order to achieve self-transcendence and reach the heights of self-perfection. When nothing of one's own is available or even imaginable, then the process works backwards, and the individual descends to the realm of self-abasement, experienced as an inability to control even oneself. The path from one's own thing leads to one's own soul, but from a thing not one's own, the path leads to someone else's soul, to the soul of a robot that slams its sledge or wedge into whatever object is placed before it. In Russia, we say that this kind of person works as if he has been "wound up" (kak zavedennyi).

Such labor is a convenient way of blinding oneself, satisfying a maniacal need to do something, to be occupied; it is a formula for self-depletion. The individual is not in control, but in thrall to the devil of labor who instructs him: "smash, slash, chop" or "fry, shred, season." The more physically debilitating the work, the easier it is to forget yourself in it, to chase away importunate thoughts of death, to kill exhausting blocks of time. Labor becomes a wonderful means of self-abnegation, the truest desire of a despairing soul. Through intercourse with an object our tormenting humanity is forgotten.

The fuse is lit!